Nothing here is part of the collection. Each one is shown with the signals it holds in common with SIMULACRA and the entries those signals lead to, so the reason it appears can be followed and disagreed with. Distance is read off the archive graph, not scored.
Two or more signals in common with an entry of its own kind. The archive was already pointing at these.
threshold.house is no longer Coil's label — the domain now serves a rent-to-own company, and its og:image is that company's wordmark. Rejected as junk rather than shipped. Checked 2026-09-20.
Time Machines
Coil · 1998
Four untitled drones, each named for a chemical compound and built to suspend the listener's sense of time. Boy Harsher is the archive's nocturnal and erotic electronic entry; this is the same territory taken to ceremony rather than to song, and it connects the SOUND holdings to the ritual signal that runs through the architecture.
PHOTOGRAPH Dieter Wuschanski / Wikimedia Commons / CC BY-SA 4.0Cropped for layout; this adapted presentation is offered under the same licence.
Alva Noto
Carsten Nicolai · 1999–
Ikeda is in the archive and his closest counterpart is not. Nicolai works the same material, error and sine tone and data made audible, but from the visual-art side: he shows in galleries as often as he performs, and the two have collaborated. If the archive holds one of them it has half the position.
PHOTOGRAPH bthrewww / Wikimedia Commons / CC BY-SA 2.0Cropped for layout; this adapted presentation is offered under the same licence.
Pan Sonic
Mika Vainio and Ilpo Väisänen · 1993–2009
The archive has industrial sound made from scrap metal and it has digital minimalism, and nothing in between. Pan Sonic is the bridge: hand-built analogue hardware producing pulses and sine tones at physical volume, the weight of Neubauten with Ikeda's restraint.
