Nothing here is part of the collection. Each one is shown with the signals it holds in common with SIMULACRA and the entries those signals lead to, so the reason it appears can be followed and disagreed with. Distance is read off the archive graph, not scored.
Two or more signals in common with an entry of its own kind. The archive was already pointing at these.
An armchair of expanded steel mesh with no frame: the whole volume is visible and almost absent, which is negative-space made into a load-bearing object rather than a composition around one. Maison de Verre does this with glass block at the scale of a house.
The archive holds Owens twice in FASHION and nothing of the furniture, which is the clearest case in the collection of one person working the same proposition at two scales: alabaster, plywood and bone made into low monolithic slabs. The interior formula and the wardrobe formula are the same ratio at two scales; so is he.